Martin

Martin

George A. Romero

(1978)

A young man, convinced he's a vampire, goes to live with his elderly and hostile cousin in a small Pennsylvanian town, where he tries to suppress his bloodlust.

Cast

John Amplas
Martin Mathias: John Amplas
Lincoln Maazel
Tada Cuda: Lincoln Maazel
Christine Forrest
Christina: Christine Forrest
Abbie Santini: Elyane Nadeau
John Amplas
Martin Mathias: John Amplas
Lincoln Maazel
Tada Cuda: Lincoln Maazel
Christine Forrest
Christina: Christine Forrest
Abbie Santini: Elyane Nadeau
Tom Savini
Arthur: Tom Savini

Crew

MusicianMike Avery
MusicianGeorge Olson
Director of PhotographyMichael Gornick
ProducerRichard P. Rubinstein
Post Production SupervisorMichael Gornick

Hook

Something beautiful and predatory is circling. Martin finds the original terror in the vampire myth — not the monster, but the invitation you can't resist.

Identity

The film is now recognized as a significant and genuinely distinctive contribution to horror cinema, valued particularly for its empathetic approach to its damaged protagonist and its refusal to resolve the central ambiguity at its heart. Martin received a warm and appreciative critical response from reviewers who recognized its originality and the seriousness of Romero's intentions, though its distribution was limited and its commercial performance modest.

Collector Focus

Romero's most personal film deconstructs vampire mythology entirely, leaving a deeply sad portrait of a young man who may or may not be a genuine vampire. Its psychological ambiguity and John Amplas' raw performance give it a weight that serious collectors treat with the same care as the Dead films.

Context

Directed and written by George A. Martin received a warm and appreciative critical response from reviewers who recognized its originality and the seriousness of Romero's intentions, though its distribution was limited and its commercial performance modest. The film is now recognized as a significant and genuinely distinctive contribution to horror cinema, valued particularly for its empathetic approach to its damaged protagonist and its refusal to resolve the central ambiguity at its heart.

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