
(1982)
A New York taxi driver stalks a beautiful actress attending the Cannes Film Festival, which coincides with a series of violent killings of the lady's friends.







A meta horror-thriller that blends satire of filmmaking with serial killer paranoia. It is known for its experimental structure and Joe Spinell’s intense central performance. The film has achieved cult status among collectors of self-reflexive horror cinema.
Collectors are drawn to its New York festival backdrop and its blending of documentary-style footage with staged horror. The film’s gritty aesthetic and meta commentary make it visually and conceptually distinctive. Its rarity and underground reputation enhance its collector appeal.
Directed by David Winters, it was produced independently and shot partly at the Cannes Film Festival. It gained cult recognition through international distribution and home video circulation.

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